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Pirates of Tokyo Bay Auditions - Open Auditions (Part 2)

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Pirates of Tokyo Bay Auditions - Open Auditions (Part 2)

Following my 2.5 years wait to finally audition with the Pirates of Tokyo Bay, I was filled with excitement. Of course, passing would be lovely, but as someone without actual improv experience, just attending and surviving the auditions themselves would be a victory, and getting selected would be a massive bonus.

Opening the door to the audition venue, the waiting area was jam-packed. Around 30 people were there, gathered, all wanting to become a part of the Pirates. 

That was the moment when I realized that this group is the real deal. You do not randomly have 30 people of different age groups and ethnicities travelling on a Sunday afternoon if you did not have somewhat of a reputation. At the same time, the diversity of the auditionees was really cool. It showed that comedy and performing is for anyone with skills and passion.

Trying to hide my nervousness, right after I got my nametag, I tried to start a conversation with the person standing next to me.

“Hi, is it your first time auditioning?”
“Yea…”
“Have you done improv before?”
“No….”
“My name is Jackson, by the way.”
“Okay...”

I am not sure if I was just not good at conversations or if there was a sense of competitiveness in the air, but the talk went nowhere. (Spoilers: this person did not pass the audition) It didn’t mean I should stop though. A part of improv is to go beyond our comfort zone, so I talked to another auditionee who was a lot friendlier, and another person joined our chat. We were starting to feel relaxed in midst of the excitement. We were getting to know each other until our conversation was stopped abruptly.


“Thanks for coming, everyone. Come on in!”


The door between the audition area and the waiting area opened, and one of the Pirates welcomed us in.


The e-mail from the Pirates instructed us to wear comfortable clothes and bring water, so we knew we will be doing improv games in front of each other and the pros (aka. The Pirates). However, seeing the Pirates spread across the room with clipboards in their hands as we entered the room, I felt like a sheep being hoarded inside, not 100% what to expect.

“Welcome everyone. Thank you for making time to attend the open auditions. We are the Pirates of Tokyo Bay. Today, we will go through some simple improv games and activities together. While it is an audition, we believe that it will also be a lot of fun for everyone.”

Mike then gave us all a brief history of the Pirates and its activities, and he continued.

“To be honest, even we don’t know how many people will pass. It could be 10. It could be 0. It will depend on you. Let’s get started.”

Just like that, the auditions started. My knees were weak. Arms were heavy. But I was ready for this one opportunity.

We started with some warm-up games, such as Zip Zap Zop, a game with everyone standing in a circle and it tested our ability to listen to each other and communicate through eye contact. Then we moved on to one called Monkey Fridge sth sth (I forgot the name), another activity that required us to use our voices and watch each others’ cues carefully. 

I realized that these activities, while fun, were also picked to emphasize the skills of the attendees. They were not games to play on a stage in front of an audience, but at an audition, they showcased each person's ability to work with others.

The Pirates would occasionally take some time to teach us basic concepts of improv. That was excellent because we all got to learn something new and go home with new knowledge, regardless of the outcome of the auditions.

“We are now going to split into a Japanese group and an English group. Please choose the one you want to challenge yourself with.”

As the auditions continued, we moved from warm-up games to more proper improv games like Freeze Tag (I think we played that), a staple in improv. Some games involved everyone equally, but others required individuals to take the initiative to step up. We would also break into smaller groups for games like Dubstep Ballet/Bad Date. Although it was the first time the group of attendees had met, we were working together to put on a show for the other attendees, making each other laugh.

Then, it hit me. Sure, the room of 30 people was in a sense competing with each other. That is what auditions are. However, that way of thinking was in conflict with the spirit of improv. Improv performers should not be competing for attention on stage. Rather, it should be collaborative. Performers should be supportive. I believe those were also traits the Pirates were looking for. Someone who they can trust standing next to on the stage.

The two-three hours of auditions flew by, and the last game we played was Tinder Rap, with everyone attendee involved. I had never rapped. I had never danced in front of others. However, at this audition, we were given so many new things to try. I truly felt that this audition was the new experience I had been looking for. 

“We will inform you of the results by next week.”

Leaving the venue, I was not sure how I did in front of the Pirates, but I was satisfied that I gave my best. Regardless of the results, this fun and challenging experience was something I could be proud of, and I reviewed the memories in my mind as I slurped down some delicious ramen in Shibuya.

“I guess I will have to wait until next Sunday to hear back”, or so I thought……

What happened next? Did Jackson get in? To be continued in the finale! 

(Well, I guess the fact that he has a blog post here spoiled the ending, but check out the next post anyway!)

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Pirates of Tokyo Bay Auditions - The Wait (Part 1)

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Pirates of Tokyo Bay Auditions - The Wait (Part 1)

Growing up watching and rewatching Whose Line Is It Anyway, I always admired the quick wit and teamwork improv performers display on stage in front of an audience. No one, not even the performers know what to expect of the outcomes, yet the funniest jokes can last in the audience's minds for months and years to come. 

Over a decade since I was introduced to improv comedy, I found myself preparing to move to Tokyo. With new experiences available in the new city, one of the first things I typed into the search engine was “Tokyo + Improv”, and the very first result was “Pirates of Tokyo Bay”. 

Looking through the page of this bilingual improv group, I found the link titled “Auditions”.

“Perfect! This is exactly the kind of new challenge I am looking for!”. I had no improv experiences, but I have watched my years worth of improv (although it was the same TV show on repeat), so that must translate to something, right? I thought as I clicked the link.

Due to COVID, we are currently not holding any auditions. Please look forward to our next opportunity!”

“Well, dang it. I guess I will wait. This pandemic will be over soon, right?”

I bookmarked the page and started following their Instagram, and once a month, I would come back to check for updates. 

“Due to COVID,....”

“Dang it!”

While waiting, I was doing my homework. Pirates of Tokyo Bay has a youtube channel (https://www.youtube.com/@piratestokyo/featured), and I must have watched every video at least twice. That helped me know more about the vibes of the group, the games performed, and the high level of skills all of them processed. 

It would have been a lie if I say that I was not a bit intimidated, but what is an audition if there was not at least a bit of nervousness involved, so the anxiety was also fueling my excitement as I waited for the auditions to reopen. 

I waited and waited for two and a half years.

On that fateful day (possibly a dark and stormy night, I cannot remember), I was going through my routine monthly check on the Pirates of Tokyo Bay Auditions page as usual, and it was finally there.

“Next Auditions: Oct 2nd, 2022 in Shibuya. Click here to register” (need fact checking)

I jumped out of my chair and immediately sat back down to start filling out the form. My excitement overcame me, and the answers I wrote to their questions such as “why did you want to join the Pirates?” added to around 900 words or so. I was not confident about passing or even doing well, but the auditions themselves had transformed into the new experience that I was waiting for. 

“Thank you for registering for auditions. 
We look forward to seeing you at auditions!

Thanks,
Mike”

With the audition form submitted, the wait to trying-out for the Pirates was almost over, and my chance was near.

To be continued (because I am milking the heck out of this experience and turning it into multiple blog posts).

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This is the challenge I was looking for

The open auditions in October at Tokyo Comedy Bar didn’t feel like a “test”. It was a group of people who wanted to make each other laugh doing just that. The super supportive Pirates threw some of their biggest challenges at us and encouraged us to “Yes, and” and have fun. I left the audition laughing, and hoping the Pirates needed a pudgy middle-aged man in their group.

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Laughing Out Loud: The Benefits of Practicing Improv at the Tokyo Comedy Bar

Laughing Out Loud: The Benefits of Practicing Improv at the Tokyo Comedy Bar

Improv comedy is a unique and dynamic form of entertainment that requires quick thinking, creativity, and a supportive environment to thrive. That's why finding the right practice space is crucial for us. To keep up improv skills sharp, we need to practice regularly. If we aren’t performing in Tokyo or touring international, we are probably practicing. Luckily, there is one place in Tokyo that provides everything an improv performer needs to hone their craft and bring their comedic talents to life.

Marshmallows and improv. A perfect match 😂

Located in the heart of Shibuya in Tokyo, the Tokyo Comedy Bar is an amazing practice space and a hub of creative energy, where performers from all walks of life gather each week to perfect their craft. With its cozy stage and supportive atmosphere, this practice space provides the perfect environment for improvisers to experiment, collaborate, and most importantly, have fun. The craft beer at the bar after practice is great too!

One of the best things about this practice space is the sense of community it fosters. Improv is a collaborative art form, and the atmosphere at this space encourages performers to work together and support one another. Whether you’re a seasoned member of the Pirates or just starting out, everyone is welcoming and eager to share their skills and experience with each other.

In conclusion, the Tokyo Comedy Bar has been a great place for us to practice and be even more involved with the comedy community in Tokyo. If you are unable to make one of our monthly bilingual improv comedy shows in Ebisu, be sure to check out what is going on at the Tokyo Comedy Bar in Shibuya.

Get tickets to one of our shows: www.piratesoftokyobay.com/tickets

Interested in the Tokyo comedy scene?

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Interested in the Tokyo comedy scene?

The Pirates of Tokyo Bay, a Tokyo comedy group, has been performing across Tokyo since 2010. The first year of shows the improv comedy group performed at the Pink Cow in Shibuya and at the Tokyo Impro Festival put on by our friends at ImproJapan. From that first year joining the bustling Tokyo comedy scene, the Pirates worked hard to put on bilingual (Japanese and English) improv comedy shows, something that was new to Tokyo.

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SHOW RECAP: July 30th, Tokyo

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SHOW RECAP: July 30th, Tokyo

July in Tokyo is all about festivals, rock concerts, sweaty salarymen, watermelon and summer fun and this month's Pirates of Tokyo Bay show had a little bit of all of those (and more)! Squaring off were two teams of Pirates, the Red team and the White team, both "fighting" for the audience laughs and votes casted in our app.  

On the Red team was: Mike, Bob, Annika, Tomoko and Trey.  
On the White team: Masa, Elliot, Roza, Rodger and Carlos.

The show opened with a bilingual music number inspired by summer in Japan. Taking suggestions from the audience ranging from sweat to cockroaches, the Pirates crafted a bilingual song backed by Ben Anderson on the piano. Points were given to the Red team for Tomoko's amazing singing. 

Score: Red 7, White 1.

Next up was a mixed team game done in Japanese called "Ding" and then on to the Red v. White team games.

Red team started off with "1 Thing" which is a gibberish game. An every day activity was gotten from the audience and then common items associated with that activity were replaced with crazy alternatives. Mike was the guesser for the Red team and successfully guessed that he was "Making Breakfast".  But the eggs were Pasmos, the pan was a car, the in-house chef was a starfish and the sponge to clean the pan was actually Cookie Monster. Crazy!

The White team followed up with their game, "Late for Work" where Roza had to guess why she was late to her job at a sushi restaurant. The suggestions she correctly guessed were that 1) she was late because her purse didn't match her dress, 2) she rode an elephant to get to work, 3) but on the way to work on the elephant, it went in to labor. 

After that round of games, the audience voted.

Score: Red 9, White 7

Next up were the Japanese game, "Whose Line" where the scene dialogue was dictated by lines of dialogue given by the audience and written down on strips of paper for the Pirates to use. As seems to be a trend recently, the phrase "Make America Great Again" made an appearance.

Right before intermission, the Pirates played "Action Replay" and then "Speed Dating". Both were bilingual games and "Speed Dating" involved longtime Pirate Fan, Alan as the guest on stage to guess a series of celebrities* he was on a speed date with. 

Score at intermission: Red 13, White 12

After the intermission and traditional selling of raffle tickets, the Pirates opened with a rarely played song-game, "In the Neighborhood". The highlight was Bob's debut as a singer! He won points for his Red team as the only singer in the game.

Score: Red 15, White 12

After a Japanese game of "Blind Dubbing", the Red and White teams squared off again for audience votes.

Red team went with "Marionettes" and invited a special fan, from Aoba International School in Japan where the Pirates workshopped with the kids earlier in the month. 

White team went with Sound FX where two audience participants provided all the sounds effects for the scene. Almost to an impressive realism!

Score: Red 17, White 12

The final game was audience favorite, "Rap Tinder" where the Pirates, backed by a custom-made rap beat, create verses based on audience submitted selfies that are projected above the stage. Masa won the battle and got "swiped right" to win.

FINAL Score: Red 18, White 32

Need tickets to our August 27th show? Get them here.

* Celebrities were played by Pirates. ;)

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即興パイオニア「パイレーツ・オブ・東京湾」が五周年記念公演を開催。

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即興パイオニア「パイレーツ・オブ・東京湾」が五周年記念公演を開催。

即興パイオニア「パイレーツ・オブ・東京湾」による記念公演

「海賊」と聞けば、武力を用いアイパッチをした組織が思い浮かぶが、「パイレーツ・オブ・東京湾」のメンバーはそんな危ない集団ではない。実際彼らは、言語に限らず誰でも笑わすことを武器としている。

アメリカ人のマイク・スタッファー氏により2010年に立ち上げられ、欧米流の即興を日本に持ち込むことを目標としたこのグループは、東京で唯一のバイリンガルコメディグループとして文化の橋渡しをしている。

日本人と外国人メンバーにより構成された同グループは観客から与えられたテーマをもとにユニークな即興コントを披露している。イギリスやアメリカで有名なテレビ番組「Whose Line Is it Anyway?」のように、彼らは即興でコントや歌を歌っている。

では、漫才が主流となっている日本であえて東京で即興という新境地を開拓することになったのはなぜだろうか。

「皆さんが思っていることを躊躇なくシェアできる環境を作りたいんです。」とスタッファー氏(34)は言う。「即興ではお客様がフィードバックをしなければならないため、日本のスタイルにはあまり向いていないかもしれません。ですが最終的にはこのスタイルは皆さんが徐々になじんでくるんじゃないかと思います。」

日本の他の即興グループと違うところは、「パイレーツ」は公演中に言語を変えることで観客の母国語(日本語・英語)を必ず取り入れているところだ。

「僕たちがやっている即興はショートコントなので、それぞれ3~5分間です。」と説明する。「日本語のみのコントを3分間やったあとは次のコントでは英語のみにすることでバランスを取っています。そのほかにはパントマイムやデタラメ語といったどの母国語にも当てはまらないゲームもします。これらも言語を使わずに、お客様とコミュニケーションを取っている一つの方法です。」

「あと歌のゲームも似たようなことが言えますね。」と語るのは4年前にグループに入った日本人メンバーの川畑誠仁氏(30)。「歌詞はわからなくても、音楽やビートは楽しむことができます。」

コメディを同時通訳すれば、進行も遅くなり、その分笑いもなくなってしまう、とスタッファー氏は考える。「お客様の鼓動を感じるようにしています。」と言う。

「パイレーツ」はすでにアジア各国の都市で公演している。メンバーは海外のお客様とも繋がるために、公演前には現地の文化を学び、コントの内容をローカライズしている、とスタッファー氏は言う。

現在メンバーの3分の1が日本人だが、スタッファー氏はもっとたくさんの日本人に即興に挑戦してもらい、最終的には人数を外国人メンバーと同等にしたいという。

「半分ぐらいがいいですね。」と彼は述べた。「そうすれば、日本で長く活動できると思いますから。」

「パイレーツ」は即興でただ人を笑わすだけではなく、この技術で重要な役割も果たすことができるという。

「日本企業に向けて社員教育も兼ねた企業研修も始めています。」とスタッファ氏は言う。「即興をするなら、相手を信頼すること、瞬発力を鍛えること、臨機応変さが欠かせません。ですので、ただ舞台でおもしろいことをやっているパフォーマーとしてだけではなく、即興の技術をビジネスに取り入れるフィールドにも進出していきたいんです。」

スタッファー氏は「パイレーツ」を日本を代表とする即興グループとして確立させたいそうだ。

「欧米のコメディグループが日本に来たとき、最初のコンタクト先に僕たちがいるような状態になりたいです。」と言う。「即興に特化したグループとしてパイレーツの認知度を高めていきたいですね。五年後には日本の即興グループとして知ってもらうことが僕の目標です。」

次回公演は「パイレーツ・オブ・東京湾」の五周年記念公演と今までで最大となる。この日の夜は、特別動画ゲストとして日本とアメリカからユーチューバーが参加し、メンバーたちに即興チャレンジと題したゲームを与える。五周年記念公演は11月29日(日曜日)に六本木(東京)のスーパー・デラックスで開催される。

Webサイト:www.piratesoftokyobay.com

英文記事:http://www.japantimes.co.jp/community/2015/11/22/how-tos/improv-pioneers-pirates-tokyo-bay-plan-big-bilingual-birthday-bash/#.VlPPmb_dVde

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